design by Cristina Celestino
Cristina Celestino returns to the principles of Euclidean geometry through the study of
the properties and relationships between points and lines, following the criteria of symmetry and congruence. Through material and chromatic play, the parallelogram thus rightfully enters the world of repeated tessellations and the play of three-dimensional joints.
The silhouettes created, in pinkish, variegated and white terracotta, associated with denser colors, recall the geometric and polychrome work of the Cosmati, who were careful to articulate geometries and balance tones, in the name of a harmonic synthesis and in order to obtain a design tangent to the illusion.
